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Diary of a Billsticker – Trenton, New Jersey, USA Poster Run

The Ballad of Phantom Billstickers (Part Two)

R.I.P. Beaver.

In Trenton, I was carrying posters by seven poets: Robert Pinsky, Joe Treceno, Marcie Sims, Jay Clarkson, Michele Leggott, Stephen Oliver and Tusiata Avia. This was to be a true urban poster run and I rode my newly purchased second-hand Schwinn pushbike which cost me $40. I was carrying the posters under my wing. I felt like Ignatius J. Reilly and my hunting cap fell down over my eyes several times. I was the thinking man’s oaf.

Trenton is the state capital of New Jersey and has one of the highest crime rates in America. It is also where George Washington gave the British a damn good dusting during the War of Revolution and sent them packing. A nation was then formed that is (I chose the present tense on purpose) dedicated to the proposition that all men are created equal.

In Trenton there are monitoring devices in the streets which detect the sound of gunshots and can also track the direction from which those gunshots came. Say it isn’t so. This is what life has become.

There is a scourge in Trenton and its name is Heroin. The latest street brand of Smack is called “Obama’s Rescue Package” and is sold by those who want to take advantage of the dream of America. They have not joined in the spirit of the revolution. In Mexico, in less than four years, 23,000 have been killed during the “Drug War” and so it goes, (right?).

On to more pleasant subjects:

I am often asked about the old days of billsticking in New Zealand. One doesn’t want to choose favourites, but I have worked with a number of very good poster put-‘er-uppers. The name Harry Sparkle comes to mind first. Harry did the posters for the Hillsborough and Gladstone Taverns in Christchurch during the late 70s to the mid 80s when New Zealand music made all the ground it did. At the time, New Zealand music was like a religious movement and radio stations just did not play it and ‘cover bands’ pulled far more people than original music. I cannot tell you how Spandau Ballet songs made Christchurch swing and what haircuts became during this period of time. This part was appalling.

But, paradoxically, all this made original Kiwi music better as there was a point to be proven. The good bands won out. They are still heard. These bands were very prepared to be honest. At this time, going on the road was dangerous because the public bar clientele may well chase you down the main street for no reason at all and the only food on the menu for touring bands was Hawaiian Ham Steaks. Now that’s what I call dangerous. One took one’s life into one’s own hands to be playing Palmerston North during these years.

To digress, I would also want to give credit to Gerald Dwyer as a paste dude in Wellington, a giant Totara indeed. Then Lee Hubber and Johne Leach also did good work in the capital city. Doug Nuttall was invaluable in Dunedin for getting across the point of New Zealand music and John Greenfield gave his all in the garden city during the 80s and early 90s. Trevor King pasted up the streets of Christchurch in the 1950s and 1960s for Johnny Devlin and Max Merritt and so we must be thankful. You will remember that New Zealand was a closed shop during these years and the Beatles once famously said that they came to New Zealand but it was closed. Many people said this in different ways.

Harry Sparkle? Harry was a punk and during punk we all knew no limits and the walls of repression were being blasted down quicker than you could say “more government please.” Harry’s band was called “The Baby Eaters” and often crashed the stage at the Hillsborough during a touring band’s break. They cavalierly just picked up the headlining band’s instruments without permission and started playing Iggy Pop’s “Cock in my Pocket.” Several punks crowded around the mixing desk as another mate turned the volume Right Up. Pogo-ing was a thing.

Oh what a breath of fresh air.

The touring band’s roadies (often up to nine in total – what did they all do?) would come running and a fist fight would ensue. That’s the price for taking yourself too seriously. The Hillsborough had one of the two best publicans I have ever met, John Harrington (the other was Ray Newman at the Gladstone). And a good laugh was had by all eventually.

I have many Harry Sparkle stories I could relate, not all of them decent.

But I will tell you I saw him paste up the side of a parked bus in Cathedral Square one day for The Terrorways until the driver came running. Yes Harry could make a point.

I also saw Harry flat on his back on another occasion in the Shades Mall with his glue pot upended, posters everywhere and a dozen packets of panadeine cast about in the shape of a cross. For my sins, Harry.

But when a poster needed to go up you called Harry and he went to the maximum for New Zealand music which quite clearly needed to be heard and now has a very real place in the world.

The two other members of The Baby Eaters (Reuben and Johnny) are dead now as far as I know, as are many of the memories of punk. The grandmaster, Malcolm McLaren, died about a month ago.

I think New Zealand Music Month to be a truly great thing (but not universally great), but more than that, I like to see posters coming through for new and vital bands. But I’m going to finish with a joke because none of us should take ourselves too seriously:

This is what English comedian Ken Dodd once said:

“The man who invented cat’s eyes got the idea when he saw a cat facing him in the road. If the cat had been facing the other way, he’d have invented the pencil sharpener.”

The poster run in Trenton was highly enjoyable and I really tried to interact with local people. It worked.

 

Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – Atlantic City, USA

We drove an old MK1 Land Rover on a hot New Jersey night toward Atlantic City (‘AC’). I bet Southside Johnny has driven this route many times and could do so in his sleep. We had the Carolina Chocolate Drops playing loud on the stereo and were ebullient to be doing a clean poster run again and to have found ‘open ground’. We were happy to be running free and to be expanding as human beings. It was good.

In the back seat was a Les Paul Gold Top in an old Epiphone case. This case had been dropped so many times you wondered about the previous owners. It was bound in so many loving luggage tags that you would have thought Jordan Luck had owned it. A good loving. A real good loving such as the world needs. Aaaah, poetry. Woodbury’s favourite son is Jordan luck.

The luggage tags showed the time honoured rock n’ roll route: Scottsdale, Arizona – Austin, Texas – New Orleans, Louisiana – Macon, Georgia – Muscle Shoals, Alabama – Detroit, Michigan – Nashville, Knoxville and Memphis, Tennessee – Seattle, Washington. The Betty Ford Centre – Promises – The Stone Pony, Ashbury Park – Chick’s Hotel – The Gluepot – Ranfurly – Whangarei on a cold Monday night – The Whitehouse, Invercargill. Yes, we know them all well. Yes, we earned it together and forever it is ours. Let’s not have it all slip away and poetry keeps it there.

We were carrying poem posters by four Kiwis and two Americans: Brian Turner, Michele Leggott, Stephen Oliver, Tusiata Avia, Joe Treceno and Robert Pinsky. These are all fine and thoughtful poets who make a difference in the world each time they are read.

We stayed in nearby Egg Harbour and went into AC to poster each day. We ate salt water taffy until it was running down our chins and this whilst the Carolina Chocolate Drops were still playing loud in our heads. The air was fresh and it was good to see a beach again. You have to cherish the sea. A seashore in Aotearoa is the most beautiful in the world, but I am here. And here is mighty good and enthralling.

We mostly postered up and down the famous Boardwalk, adding also a few choice spots in the surrounding areas. I think the most satisfying experiences I have postering with poems is when I see people stop and read the words. I saw a woman jogger on the Boardwalk stop to read Michele Leggott’s poem ‘Wonderful to Relate’. This woman combed through it line by line and was tracing with her forefinger. For me, it was like time had stopped as I waited for a reaction. I got one, the woman was obviously moved and maybe it’s my imagination, but she seemed to jog away in a much more coordinated manner and like her breathing had changed. I think it had. Mine did. We had made a difference. That’s what we came for.

Here’s what Pablo Neruda said about poetry:

“On our earth, before writing was invented, before the printing press was invented, poetry flourished. That is why we know that poetry is like bread; it should be shared by all, scholars and by peasants, by all our vast, incredible, extraordinary family of humanity.”

Yes, that’s why we do it. Little steps to change.

 

Keep the Faith,

 

Jim Wilson

 

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Diary of a Billsticker – Mississippi Delta, USA

The Kid Was From Shake Rag

This was a nice, clean run lasting several days whilst driving through the Mississippi Delta in an old Plymouth Fury procured from a rent-a-junk in Nut Bush, Tennessee. As we got closer to the end, Clarksdale, Mississippi, things became very clear. They ended up being clear as a country creek (Truman Capote).

We (Reggie-John and I) always fly Delta Airlines. We caught a flight from Philadelphia in the morning and were in Memphis, Tennessee, by late afternoon. Americans don’t like to go too far from the house without adequate servings of pizza. I think the plane had extra supplies strapped to the roof. Luckily, a health care bill was going through Congress at the time. There was a layover in Charlotte, North Carolina and I saw many Americans checking that the pizza was still on that roof. Anxiety is a funny old thing. Americans are good people.

There has been quite a bit of debate on the news here lately about how the carry-on baggage situation on airlines has gotten out of hand. Then, a couple of prominent Americans have been offloaded from their flights because they were too fat for their seats. This doesn’t happen in Nigeria.

You can always tell when you cross over the Mason-Dixon Line and into the American South. The very air seems brighter and the energy is completely different. Things that are taken far too seriously in the North are ignored here. It is also as if the Southerners have already found something that people in the North are desperately looking for. We all hope they find it soon before they drive everyone nuts.

I guess the Ukraine is different from Chechnya as well. Then, I think in life, everyone wants to secede from something. Though it’ll sometimes bring a ton of misery on yourself if you try.

Reggie-John and I set up in Oxford, Mississippi as a base camp. This town is about seventy miles from Memphis. I’d dreamed for years of going to Oxford. The University of Mississippi (Ole Miss) is there. I’d often read about Square Books and how it was reputed to be one of the best bookstores in America (it is). The owner (Richard Howorth) was Mayor of Oxford for a while (maybe still is) and that’s got to be a good thing. I mean a bookstore owner as Mayor – I can dig it. It’s kind of like when Vaclav Havel was President of the Czech Republic. A poet as President – I can dig that too. Literature is incredibly important to any community.

I also knew that William Faulkner lived in Oxford and is buried there; but what attracted me most to Oxford were two particular writers, two of my personal favourites, Larry Brown and Barry Hannah. They are both dead now, both unhorsed due to heart attacks. Barry Hannah died only three weeks ago. In their writing, which was always full of intense energy, they were both bull goose loonies. And that’s high praise. To paraphrase Truman Capote again, they ‘walked the plank.’ They took real risks. Someone once described Barry Hannah’s writing as ‘accelerating incoherence’ – it’s that good.

Barry Hannah taught creative writing at Ole Miss and he was famous for other things apart from his writing. One of them being that he once drove a troublesome student home and put a gun to his head. He then told the student to behave himself in class.

Me and Reggie-John stayed at Chester’s Hillbilly Haven and ate breakfast at Big Bad Breakfast. That old Plymouth started every morning and we were carrying poem posters by five or six poets. However, we concentrated mainly on the two new poems by Tusiata Avia “Nafanua, the Samoan War Goddess, talks about going to Washington, DC” and Stephen Oliver’s “The Great Repression.” I never go far without Janet Frame’s “The End” poetry poster being in my kit. That’s what I call company.

Tusiata’s and Stephen’s poems are worded particularly strongly and perhaps they should be. Both are striking works of art and come alive on a wall. There is a beauty there. These are words carved out.

Setting out from Oxford each day, we covered the area around Highway 61 (yes, that Highway 61!) and included Indianola, Yazoo City, Pontotoc, Tupelo, Parchman (where the Mississippi State Penitentiary is headquartered) and then deep into Clarksdale.

The American South is an extraordinary place for music and literature. Clarksdale is among the most extraordinary places of all. The city’s inhabitants have had an immense influence on American culture. In fact, they have affected the world. Among the citizens have been Sam Cooke, Tennessee Williams, Muddy Waters, Son House, John Lee Hooker, Aretha Franklin’s grandfather, Ike Turner, and Jimbo Mathus. Morgan Freeman owns a blues club in Clarksdale. The city is about the size of Timaru. It is probably smaller.

A few short miles away is Tupelo, Mississippi. There was a kid here who loved his mother and who recorded his first song for her. When he was young, his daddy, Vernon, went to jail and they lost the house. He picked up a guitar for the first time at about ten years of age. By this time, he was already hanging around a black area called ‘Shake Rag.’ He was a pretty cool kid (from all accounts) and he listened to the blues and gospel songs and soon he learned to move. He also walked the plank by wearing clothing that he saw black people wearing. They have always known what “cool” was. In high school he wore brothel creepers and lime green socks. Now that was a risk in the early 1950s, but people could relate. And he could turn out a song like no one else.

You cannot listen to the type of music that grows in this area (blues/gospel/spiritual) and not be swayed. Not now, not then. Myself, I’d gone to Mississippi listening to Mitch Ryder and the Detroit Wheels and I came back listening to Blind Willie McTell. These things happen. You could call it spiritual.

When he was thirteen, Elvis Presley and his family lit out for Memphis and better luck. It changed the world.

We would be absolutely nowhere on this planet were it not for music’s (and poetry’s) ability to connect people. Music and literature transform us. The two make us better people.

So I always take it as the deepest privilege to be driving around America putting up poetry posters by some of NZ’s finest poets. I am always clearer headed for having done so.

Phantom has a new launch of poem posters in Auckland on April 28th. Included in this next round is a fine piece of work by Chris Knox. Also featured are Stephen Oliver, Tusiata Avia, Bill Manhire and others. The job has just begun.

We are always privileged and grateful.

 

Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – South Philly, USA

This was a nifty little run with my cobber Brian Howard from the Citypaper again. It used to be that street postering had to have as an element of what Jack London called ‘night-time as an essential condition.’ For many years now I have worked in New Zealand on bringing street postering into the daylight. Street postering is an extremely important form of communication for the arts. It is oftentimes a raw and extremely quick form of communication but usually manages to maintain a very ‘real’ and ‘authentic’ feeling at the same time. I am keen to keep it that way too. Cities need every last bit of that which is real that they can get.

This area of Philadelphia reminds me in some ways of the Sydenham area in Christchurch, but it is less tidy. There are the old brick warehouses which are few and far between in Christchurch now as manufacturing shifts further offshore and the shopping malls set in.

We were carrying poem posters by Janet Frame, Brian Turner and new ones by Stephen Oliver (“The Great Repression”) and Tusiata Avia (“Nafanua, the Samoan war goddess, talks about her friend in Philly”).

We have a new launch of poem posters coming up in Auckland, New Zealand at the end of April. Also we have small events in Seattle, Washington and Lambertville, New Jersey in late March and April.

Stephen Oliver’s fine poem “The Great Repression” is included in this next launch and we are test marketing it here in the USA. Next week I am away to Mississippi to poster and I shall have under my wing poems by Tusiata Avia and Stephen Oliver.

Stephen Oliver is writing about the disintegration of the family unit. He uses very strong words which I very much like. My own personal theory is that every time a city puts in a shopping mall it is doing great damage to its citizens. Don’t get me on to this subject because it splits in every direction, but I will say that marketing as a concept is severely overrated.

Some time ago I asked Tusiata Avia to write me a poem that fitted each individual American city I travelled to. And so she did. Tusiata is another extremely passionate writer. There is a line in this poem where the subject is the notion of ‘peace’. Tusiata says we need a sniffer machine now to find it. Ain’t that the truth? Amen. We are all extremely tired of warfare in its many formats.

This was a boomer of a poster run and as I went back home up I-95 to New Jersey, I listened to the ‘new’ Jimi Hendrix album. Even something that Seattle’s favourite son chose not to release during his lifetime, and something that does not really measure up to other Hendrix material, is still far better than most music released (and marketed) these days. That guy turned a Fender upside down. He did things completely different. That is to be cherished.
Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – Philadelphia, USA

It’s a beautiful day in New Jersey and the temperature promises to get up to 15 degrees Celsius. The official first day of spring is about two weeks away. On the streets here this morning, I met a guy wearing a sweatshirt with ‘Wanganui’ across the back (he was an American) and that felt real good. I got on to a conversation about Michael Laws.

This poster run happened on Saturday afternoon in the area of Philly known as ‘University City’ this is because both the University of Pennsylvania and Drexel University are nearby. The University of Pennsylvania (‘Penn’) was started by Benjamin Franklin in 1750. Benjamin Franklin was quite a guy and one of the founding fathers of the republic. He seems to have been clever at so many things that it is impossible to list them. He started the first public library in America and the first fire department in Philadelphia. He was a newspaperman and a scientist. He experimented with electricity, lightning and kites. He invented bifocals and he said many clever and witty things.

I was carrying poem posters by Joe Treceno, Sam Hunt, Robert Pinsky, Jay Clarkson and Brian Turner. There are various bollards around the university and I postered them and then moved on to lamp-posts. All in good fun.

On one lamp-post I was accosted by a crazy man. When a government closes mental hospitals and farms people off to small rooms and whatever ‘care’ is called these days… Then people suffer. This is further complicated by a strange health care system that seems to lock out the people who need it most. But, never mind, the man ripped down a NZ poetry poster and told me that we should look after our ‘aborigines’ better.

One thing that Ben Franklin said that makes me laugh every time I think of it is:

“A man between two lawyers is like a fish between two cats.”

I am going to do another poster run in Philly this Thursday. This time, I’ll be putting up Tusiata Avia posters (“Nafanua, the Samoan war goddess, talks about her friends in Philly”) and Stephen Oliver (“The Great Repression”). These two fine poets feature in the next round of Phantom Billstickers NZ poetry posters (launch is in April in Auckland) and this is kind of like releasing a single off the album. Should be fun.

Keep the Faith,

 

Jim Wilson

 

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