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Diary of a Billsticker – Mississippi Delta, USA

The Kid Was From Shake Rag

This was a nice, clean run lasting several days whilst driving through the Mississippi Delta in an old Plymouth Fury procured from a rent-a-junk in Nut Bush, Tennessee. As we got closer to the end, Clarksdale, Mississippi, things became very clear. They ended up being clear as a country creek (Truman Capote).

We (Reggie-John and I) always fly Delta Airlines. We caught a flight from Philadelphia in the morning and were in Memphis, Tennessee, by late afternoon. Americans don’t like to go too far from the house without adequate servings of pizza. I think the plane had extra supplies strapped to the roof. Luckily, a health care bill was going through Congress at the time. There was a layover in Charlotte, North Carolina and I saw many Americans checking that the pizza was still on that roof. Anxiety is a funny old thing. Americans are good people.

There has been quite a bit of debate on the news here lately about how the carry-on baggage situation on airlines has gotten out of hand. Then, a couple of prominent Americans have been offloaded from their flights because they were too fat for their seats. This doesn’t happen in Nigeria.

You can always tell when you cross over the Mason-Dixon Line and into the American South. The very air seems brighter and the energy is completely different. Things that are taken far too seriously in the North are ignored here. It is also as if the Southerners have already found something that people in the North are desperately looking for. We all hope they find it soon before they drive everyone nuts.

I guess the Ukraine is different from Chechnya as well. Then, I think in life, everyone wants to secede from something. Though it’ll sometimes bring a ton of misery on yourself if you try.

Reggie-John and I set up in Oxford, Mississippi as a base camp. This town is about seventy miles from Memphis. I’d dreamed for years of going to Oxford. The University of Mississippi (Ole Miss) is there. I’d often read about Square Books and how it was reputed to be one of the best bookstores in America (it is). The owner (Richard Howorth) was Mayor of Oxford for a while (maybe still is) and that’s got to be a good thing. I mean a bookstore owner as Mayor – I can dig it. It’s kind of like when Vaclav Havel was President of the Czech Republic. A poet as President – I can dig that too. Literature is incredibly important to any community.

I also knew that William Faulkner lived in Oxford and is buried there; but what attracted me most to Oxford were two particular writers, two of my personal favourites, Larry Brown and Barry Hannah. They are both dead now, both unhorsed due to heart attacks. Barry Hannah died only three weeks ago. In their writing, which was always full of intense energy, they were both bull goose loonies. And that’s high praise. To paraphrase Truman Capote again, they ‘walked the plank.’ They took real risks. Someone once described Barry Hannah’s writing as ‘accelerating incoherence’ – it’s that good.

Barry Hannah taught creative writing at Ole Miss and he was famous for other things apart from his writing. One of them being that he once drove a troublesome student home and put a gun to his head. He then told the student to behave himself in class.

Me and Reggie-John stayed at Chester’s Hillbilly Haven and ate breakfast at Big Bad Breakfast. That old Plymouth started every morning and we were carrying poem posters by five or six poets. However, we concentrated mainly on the two new poems by Tusiata Avia “Nafanua, the Samoan War Goddess, talks about going to Washington, DC” and Stephen Oliver’s “The Great Repression.” I never go far without Janet Frame’s “The End” poetry poster being in my kit. That’s what I call company.

Tusiata’s and Stephen’s poems are worded particularly strongly and perhaps they should be. Both are striking works of art and come alive on a wall. There is a beauty there. These are words carved out.

Setting out from Oxford each day, we covered the area around Highway 61 (yes, that Highway 61!) and included Indianola, Yazoo City, Pontotoc, Tupelo, Parchman (where the Mississippi State Penitentiary is headquartered) and then deep into Clarksdale.

The American South is an extraordinary place for music and literature. Clarksdale is among the most extraordinary places of all. The city’s inhabitants have had an immense influence on American culture. In fact, they have affected the world. Among the citizens have been Sam Cooke, Tennessee Williams, Muddy Waters, Son House, John Lee Hooker, Aretha Franklin’s grandfather, Ike Turner, and Jimbo Mathus. Morgan Freeman owns a blues club in Clarksdale. The city is about the size of Timaru. It is probably smaller.

A few short miles away is Tupelo, Mississippi. There was a kid here who loved his mother and who recorded his first song for her. When he was young, his daddy, Vernon, went to jail and they lost the house. He picked up a guitar for the first time at about ten years of age. By this time, he was already hanging around a black area called ‘Shake Rag.’ He was a pretty cool kid (from all accounts) and he listened to the blues and gospel songs and soon he learned to move. He also walked the plank by wearing clothing that he saw black people wearing. They have always known what “cool” was. In high school he wore brothel creepers and lime green socks. Now that was a risk in the early 1950s, but people could relate. And he could turn out a song like no one else.

You cannot listen to the type of music that grows in this area (blues/gospel/spiritual) and not be swayed. Not now, not then. Myself, I’d gone to Mississippi listening to Mitch Ryder and the Detroit Wheels and I came back listening to Blind Willie McTell. These things happen. You could call it spiritual.

When he was thirteen, Elvis Presley and his family lit out for Memphis and better luck. It changed the world.

We would be absolutely nowhere on this planet were it not for music’s (and poetry’s) ability to connect people. Music and literature transform us. The two make us better people.

So I always take it as the deepest privilege to be driving around America putting up poetry posters by some of NZ’s finest poets. I am always clearer headed for having done so.

Phantom has a new launch of poem posters in Auckland on April 28th. Included in this next round is a fine piece of work by Chris Knox. Also featured are Stephen Oliver, Tusiata Avia, Bill Manhire and others. The job has just begun.

We are always privileged and grateful.

 

Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – South Philly, USA

This was a nifty little run with my cobber Brian Howard from the Citypaper again. It used to be that street postering had to have as an element of what Jack London called ‘night-time as an essential condition.’ For many years now I have worked in New Zealand on bringing street postering into the daylight. Street postering is an extremely important form of communication for the arts. It is oftentimes a raw and extremely quick form of communication but usually manages to maintain a very ‘real’ and ‘authentic’ feeling at the same time. I am keen to keep it that way too. Cities need every last bit of that which is real that they can get.

This area of Philadelphia reminds me in some ways of the Sydenham area in Christchurch, but it is less tidy. There are the old brick warehouses which are few and far between in Christchurch now as manufacturing shifts further offshore and the shopping malls set in.

We were carrying poem posters by Janet Frame, Brian Turner and new ones by Stephen Oliver (“The Great Repression”) and Tusiata Avia (“Nafanua, the Samoan war goddess, talks about her friend in Philly”).

We have a new launch of poem posters coming up in Auckland, New Zealand at the end of April. Also we have small events in Seattle, Washington and Lambertville, New Jersey in late March and April.

Stephen Oliver’s fine poem “The Great Repression” is included in this next launch and we are test marketing it here in the USA. Next week I am away to Mississippi to poster and I shall have under my wing poems by Tusiata Avia and Stephen Oliver.

Stephen Oliver is writing about the disintegration of the family unit. He uses very strong words which I very much like. My own personal theory is that every time a city puts in a shopping mall it is doing great damage to its citizens. Don’t get me on to this subject because it splits in every direction, but I will say that marketing as a concept is severely overrated.

Some time ago I asked Tusiata Avia to write me a poem that fitted each individual American city I travelled to. And so she did. Tusiata is another extremely passionate writer. There is a line in this poem where the subject is the notion of ‘peace’. Tusiata says we need a sniffer machine now to find it. Ain’t that the truth? Amen. We are all extremely tired of warfare in its many formats.

This was a boomer of a poster run and as I went back home up I-95 to New Jersey, I listened to the ‘new’ Jimi Hendrix album. Even something that Seattle’s favourite son chose not to release during his lifetime, and something that does not really measure up to other Hendrix material, is still far better than most music released (and marketed) these days. That guy turned a Fender upside down. He did things completely different. That is to be cherished.
Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – New Jersey, USA

There was a break in the weather after basically a month of snow and rain. We just don’t get snow like that in New Zealand (a foot at a time), and it’s kind of difficult to imagine and to get used to. It would be like trying to drive over the Southern Alps. That way you can imagine it. The streets looked like the Himalayas and after a while, you get crazy to do a poster run. People in New Jersey talk about “weather rage”. Everyone’s cooped up and that’s not good for anyone.

I left from Lambertville, New Jersey, which is my base and travelled up I-95 to Princeton. This road is the interstate that features in the intro to “The Sopranos.” Ah, woke up this morning and got myself a gun. Now there was a TV series and so well written.

The journey to Princeton takes about a half hour. I drive down beside the beautiful Delaware River for about ten or fifteen minutes before getting onto I-95. Driving on I-95 is like playing skittles. Everyone is zooming everywhere. I don’t know if that’s good for everyone, but it’s how America is.

Princeton is a lovely and picturesque spot. The town is ruled by the old university which looms most places you look. I’m sure Robert Smith could come here and write some fine Cure type song about the gargoyles on the towers. They are beautiful. The structure of various buildings reminds me of Otago Boys’ High School. The university really is a beautiful sight. It helps my imagination too when I remember that this is the place (Princeton University) which stirred Jimmy Stewart into becoming an actor. Jimmy joined the theatre groups whilst he was at Princeton and the rest is history. I love it. You don’t get actors like that every five minutes and the arts (of all kinds) must be encouraged. People can do small things to help. That’s what I figure I’m doing.

I was carrying with me poem posters by Sam Hunt, Robert Pinsky, Marcie Sims, Michele Leggott and Janet Frame. It is always a privilege to be taking poetry to the streets.

This run was mostly around the various notice boards at the university. There’s a lot going on at this place and you can tell this by the way the various poster sites are jammed with colour and imagination. People are obviously excited and alive. It’s so easy to put up Sam Hunt poem posters, as it really sticks out to me that Sam is, and has always been a vital force for Kiwi poetry. The Sam Hunt poem, ’11 Runes (for Alf, turning 11)’ has many lines that hit me dead centre. To me, Sam Hunt stands beside any poet anywhere in the world:

“I’ll give you what I’ve got
to see you through,
and if I’m not
there, I’ll be waiting for you”

So all this kind of thing (Sam Hunt’s poetry), is really good to think about as you put up posters. The words bring you back to a real ‘core’ within yourself. Sam talks from the heart.

New Jersey? Well, this is where I saw a whole cafe erupt in cheers last week when a Bruce Springsteen tune (“Mr State Trooper”) came on the in-house stereo. These people are tremendously proud of ‘The Boss.’ And he speaks for them so eloquently. This is all how like New Zealand poets speak for New Zealand in such a clear way. They portray our experience or their experience and we can easily relate.

Frank Sinatra was born in Hoboken, New Jersey. Now there was a dude (a ‘dOOd’) – so much style and charisma and so much a strong voice. Frank put that voice forward with ease.

Yes, New Jersey is a very interesting place. So many influences and so much passion. I’ve never in my life been on a poster run that didn’t make me feel good and this one was no exception.

As I drove back down I-95 to Lambertville, I listened to a tune from ‘The Chairman of the Board’

“When I’m out on a
quiet spree, fighting
vainly the old ennui…”

– “I Get A Kick Out of You” – Francis Albert Sinatra

Well, I get a kick out of postering and certainly for New Zealand (and American poets). It’s 100% Real and I prefer that.

Keep the Faith,

Jim Wilson

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Diary of a Billsticker – Northern Liberties/Fishtown, Philadelphia, USA

This poster run happened in about mid February and I had the able assistance of Brian Howard who is the editor of the Philadelphia Citypaper.  Brian is a fan of New Zealand music and we had made contact because of this. He had seen ‘The Clean’ play in Philadelphia and was immediately impressed. We all are fans of ‘The Clean’ and will forever be. Brian had also highly rated the Chris Knox ‘Stroke’ album in the newspaper and this gladdened my heart. He cited that album as being one of 2009’s best. We can’t be fairer than that.

The Northern Liberties/Fishtown area of Philadelphia is more than two hundred years old and is nicely worn in (“There’s a crack in everything and that’s how the light gets in” – Leonard Cohen). It’s an area of good music venues and people doing unusual and thought-provoking things. I guess you’d be considered a nutcase if you did some of these things in New Zealand, but many of them relate to art and that’s a valuable exercise in itself. Art (and poetry) is often about challenging ‘norms.’ If no-one pushed the status quo and if society was nicely tied, tidied up, managed and orderly, then I think we’d all die of some kind of heartbreak. Change and movement are what life is about. There is a road ahead. Poetry shows this road clearly. Music does as well.

On this poster run I was carrying posters by several New Zealand poets. I always feel some kind of dignity as I go about stapling and cello taping (Sydney, Australia poster style) these posters to lamp-posts. There’s nothing so human in life as to be putting up poetry posters and (I’ve said this before) people do relate. When you’re putting a Janet Frame Poem poster on a lamp-post in “The City of Brotherly Love” (Philadelphia) then you will connect to people, you will make ‘contact’ beyond superficialities. Janet Frame does that to people and God Bless her. Janet Frame touches people. That is a true blessing.

All of our New Zealand poets touch people. I have some kind of awakening on this run as I watched a bloke go through Michele Leggott’s fine poem “Wonderful to Relate” line by line. This guy was really following what the poem was saying and I just knew it had changed his day. So I now know we can put more ‘content’ into these poetry posters. People will stop and read. There’s something human about all this. Who could not understand a poem poster on a lamp-post?

Aaaah Philadelphia; the city of freedom. This is where Lenny Bruce was arrested in September of 1961. I always think of that each time I visit the city. Lenny was arrested on narcotics charges at the John Bartram Hotel on Broad Street.

Cop to Lenny:

“What’s that white stuff on the dresser?”

“Aspirin.”

“What’s the syringe for?”

“I can’t stand the taste of it.”

Lenny took the rap for us all. Lenny stood up and said things that challenged conventional norms. These conventional norms were giving us all heartbreak and Lenny broke through that. He exposed so much hypocrisy that there should be statues for him everywhere. I think everyone knows how life runs and it’s not how the authorities tell us life runs. Lenny talked about what was really happening and this frightened people – mainly the authorities. Lenny must have gotten hurt as all the criticism and arrests came in. There is no doubt we would not have the society we have now were it not for people like Lenny Bruce. He was a true poet. I take my hat off to him.

In that year (1961) and the following year, Lenny was arrested several more times for saying words that most decent people say to themselves and carefully selected others. What was it Bob Dylan said? “Lenny Bruce is dead, but his spirit lives on and on…” I’ll say.

I went mucking about in old Philadelphia putting up my poetry posters one by one and I just knew I was helping make a difference. That’s got to be the very best feeling in the world. When I finished, I felt really good. I turned around and saw people reading New Zealand poetry. That’s such a good feeling.

 

Keep the Faith,

 

 

Jim Wilson

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Diary of a Billsticker – Baltimore, USA

This poster run happened on Waitangi Day weekend. The Phantom crew did the run on the Sunday morning in temperatures of 18 degrees Fahrenheit (32 is freezing). We carried posters by Jay Clarkson, Sandra Bell, Michele Leggott, Janet Frame and others. I always try to have a Janet Frame poetry poster nearby.

We attracted lots of good attention and made some strong contacts within the Baltimore poetry scene. Nothing seems to break the ice like putting up poetry posters. People always seem to relate to a poem. Discussion always opens up.

Baltimore, Maryland is a very creative city. It seems to be just bursting at the seams with artistic activity. To my mind, this is because the city is very nicely worn in and not completely taken over by shopping malls and franchise store operations. The city has a very bohemian feel (this feeling seems to have always been good for poetry) and this encourages people, young and old, to ‘have a go.’ It’s like the texture of the city gives people permission to move in creative ways. Shop rentals are probably quite reasonable in Baltimore and there is a great independent bookstore called Atomic Books. Atomic Books has a wide selection of fanzines that are put out by enthusiastic people from throughout the USA. They break the format of the publishing houses in exciting ways.

But everyone seems to know Baltimore these days because of the TV show “The Wire.” This show has captured attention spans throughout the world as being a true story of what can go wrong within cities. We have the same kind of thing happening within New Zealand cities. It is a cruel and vicious set-up full of hurt, hypocrisy and dismay. Alan Duff writes about it so well.

In time out of mind, H.L. Mencken lived and worked in ‘Charm City’ and worked for The Baltimore Sun. Here was another who saw what was going on in society and chose to write about it rather than turning away. The notion of “Not Turning Away” is a Buddhist concept.

But what I saw in Charm City that really knocked me out was a Presidential motorcade. Barack Obama was in the city on the Friday, talking to local business owners. Local business owners (not the banks) are the engine room of the economy, we all know this.

For Mr Obama’s splendid motorcade they had closed off one side of the I-95 which is the interstate into Baltimore. We were travelling the other way. The first thing we knew, here comes twenty motorcycle cops riding two abreast. A hundred yards back there are the first of twenty black Chevrolet Suburban vans carrying aides and secret service men, no doubt. It is all a very regal and disciplined scenario. Next comes five or ten black limousines, these are probably Cadillacs or Lincolns with extra sheets of steel built into their body shells. They are each flying the Stars and Stripes from the front guards. After that, we have more Chevy Suburbans and a fire truck and an ambulance. At the end are more motorcycle cops and there are a couple of helicopters (‘Marine One’ – the Presidential chopper) in the air.

It all reminded me of seeing Queen Elizabeth II in Stuart Street, Dunedin many years ago.

The last thing I wish to say about Baltimore is that the city features in a song by Bob Dylan. That’s enough of a recommendation to a place for me. In the song “Trying to Get to Heaven” he states that “Miss Mary-Jane has a place in Baltimore.”

When I first heard that song, I knew I had to go and I’m extremely glad I did.

Keep the Faith,

Jim Wilson
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