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Diary of a Billsticker – Lambertville, New Jersey, USA

Woke Up This Morning and Got Myself a Broom

It is true that putting up posters will shift the dirty water off one’s chest. I have never come back from a poster run feeling worse (I’ve said this before), not even when my posters have been immediately covered by another posterer. This used to happen all the time in old Christchurch (and elsewhere) when sometimes twenty different people would go out pasting up for twenty different gigs on the same night. It’s a nice and interesting idea that people should ‘share’, but I always think their egos involved and sometimes egos can’t grasp even very simple concepts. Then, it’s not as if every ego in the world is working for a bank or finance company or even in politics. No, there are egos everywhere. Sometimes there are even egos in reverse.

Talking of egos, the most disturbing thing about America right now is the Oil Spill (yes, I meant to capitalise that because it is a huge disaster) in the Gulf. I hear there is another panel of ‘experts’ who are going to meet and discuss the matter later on in the week. The panel consists of Bono, Sting, Sean Penn and Elton John and their discussion will be screened on Entertainment Tonight. That’s how sad it all is. If only they would completely give away their fortunes to make it better. But they’ll never do that. The head guy from BP looks stunned and ineffectual and Mr Obama should front up and start cane-ing people. That’s the view of my ego.

So that’s why I like postering, because when you are putting up posters everything becomes perfectly clear and truthful (“The only thing that matters is the clear and simple truth” – Ernest Hemingway). It’s the activity of postering that unclogs the system and gets me moving and doing something that I enjoy a hell of a lot: putting up simple street posters for poets. That’s about the easiest thing to do and I do not like the theorising before and after the fact that one sees on television these days. Lewis Lapham once said something about television front people being the new car sales people of the media set and he’s right. So the Gulf Oil Spill is a tragedy on a number of fronts. The animals (human and otherwise) will suffer the most. I feel for them.

I did this run in Lambertville over three days and I put up posters by Jeffery McCaleb, Roy Smith, Brian Turner, Gerald Stern, Chris Knox, Robert Creeley, Michael Palma, Sam Hunt, Bill Manhire and Michele Leggott. Some of these are my favourites of course. I can stand back and look at them on a lamp-post and I feel good. I’m ‘put together’ again.

I tried to mix in the different sentiments with these posters too; some go really well in couplings with another poet. Sam is good with anyone. Robert Creeley is the man and will bring light to any lamp-post. Michael Palma goes really well with Chris Knox (he the musician and Michael the dude talking about Ray Charles). Roy Smith’s poem is just funky and smells of sand and diesel and Jeffery McCaleb just has this big heart, which I hope continues to serve him well.

And so on and so forth.

So you can see it’s not just about stapling a few posters to lampposts, it’s about ‘feeling’ and ‘being’ and it beats talking to lawyers and accountants and watching that Oil Spill. It also whips the endless and vapid smiles of television presenters. I’m sure all this is the cause of obesity.

You can quite easily see why people wake up and get themselves a broom. A broom is the best friend of a billsticker. A broom is what a billsticker usually uses to put up posters. Billsticking happens in every major city in the world. People will go out and express themselves. They’ve done this since before the beginning of recorded time. We’ve got a guy at Phantom Billstickers in Christchurch right now who is the fastest guy I have ever seen with a broom. I won’t mention his name because that may cause embarrassment.

I have learnt the noble art of billsticking from some of New Zealand’s best ever promoters. Here I am going to mention some names: Hugh Lynn, Robert Raymond, Harry M. Miller, Joe Brown, Oz Armstrong, Mark Cassin and Benny Levin.

We used to do ‘airport runs’ and this is where a billsticker would go out and poster the road in from the airport just before the date and time of the arrival of the ‘star’ or ‘stars’. Then you’d poster all around the hotel at which the promoter would tell you the act was staying. To use a sentence from “The Thin Red Line” this ‘bucks the men up’. The stars feel better and spirits are lifted. 90% of the value of a concert of any kind is that everyone arrives and leaves happy. The stars included.

Benny Levin would always ‘walk the town’ and ‘talk the act up’. I am privileged enough to be able to say that I did this with him a few times. He’d snaffle down a couple of ginseng and we’d put some posters under our wings and go from shop to shop putting up posters for the gig. This would be a few days before the play date and the important thing wasn’t so much the putting up the posters (although this was still critically important), but the talking to the shopkeepers and getting a gauge of how the concert would sell… Getting people interested.  If two hundred people told you in one day that they loved the act and were going to be at the gig, then this gave you a really good indication of how that concert would go. I don’t like to disparage anyone or anything really, but this kind of thing will still give you a better indicator of the popularity of an act than Facebook or the internet will ever be able to do. This is real people talking to real people. So, even though we may want to freshen up the simple street poster with technology, there is no doubt that it (the simple street poster) is a very powerful instrument and it feels real. I’ve said it.

Real is what the world needs of course. Getting face to face with people and making contact is the most powerful force in the world.

I was going to write about Eddie Chin on this posting. In my opinion, Eddie was one of New Zealand’s finest ever promoters and did one hellacious amount for the NZ music industry. I actually had some intake from people who played for Eddie back in the 1970s to write something, but this will have to wait.

I grew up watching how Eddie’s clubs bought Dunedin alive and I was very much influenced by what he did. I’m going to write about him on my next posting, because right now I hear a lamppost and a broom calling to me.

 

Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – Atlantic City, USA

We drove an old MK1 Land Rover on a hot New Jersey night toward Atlantic City (‘AC’). I bet Southside Johnny has driven this route many times and could do so in his sleep. We had the Carolina Chocolate Drops playing loud on the stereo and were ebullient to be doing a clean poster run again and to have found ‘open ground’. We were happy to be running free and to be expanding as human beings. It was good.

In the back seat was a Les Paul Gold Top in an old Epiphone case. This case had been dropped so many times you wondered about the previous owners. It was bound in so many loving luggage tags that you would have thought Jordan Luck had owned it. A good loving. A real good loving such as the world needs. Aaaah, poetry. Woodbury’s favourite son is Jordan luck.

The luggage tags showed the time honoured rock n’ roll route: Scottsdale, Arizona – Austin, Texas – New Orleans, Louisiana – Macon, Georgia – Muscle Shoals, Alabama – Detroit, Michigan – Nashville, Knoxville and Memphis, Tennessee – Seattle, Washington. The Betty Ford Centre – Promises – The Stone Pony, Ashbury Park – Chick’s Hotel – The Gluepot – Ranfurly – Whangarei on a cold Monday night – The Whitehouse, Invercargill. Yes, we know them all well. Yes, we earned it together and forever it is ours. Let’s not have it all slip away and poetry keeps it there.

We were carrying poem posters by four Kiwis and two Americans: Brian Turner, Michele Leggott, Stephen Oliver, Tusiata Avia, Joe Treceno and Robert Pinsky. These are all fine and thoughtful poets who make a difference in the world each time they are read.

We stayed in nearby Egg Harbour and went into AC to poster each day. We ate salt water taffy until it was running down our chins and this whilst the Carolina Chocolate Drops were still playing loud in our heads. The air was fresh and it was good to see a beach again. You have to cherish the sea. A seashore in Aotearoa is the most beautiful in the world, but I am here. And here is mighty good and enthralling.

We mostly postered up and down the famous Boardwalk, adding also a few choice spots in the surrounding areas. I think the most satisfying experiences I have postering with poems is when I see people stop and read the words. I saw a woman jogger on the Boardwalk stop to read Michele Leggott’s poem ‘Wonderful to Relate’. This woman combed through it line by line and was tracing with her forefinger. For me, it was like time had stopped as I waited for a reaction. I got one, the woman was obviously moved and maybe it’s my imagination, but she seemed to jog away in a much more coordinated manner and like her breathing had changed. I think it had. Mine did. We had made a difference. That’s what we came for.

Here’s what Pablo Neruda said about poetry:

“On our earth, before writing was invented, before the printing press was invented, poetry flourished. That is why we know that poetry is like bread; it should be shared by all, scholars and by peasants, by all our vast, incredible, extraordinary family of humanity.”

Yes, that’s why we do it. Little steps to change.

 

Keep the Faith,

 

Jim Wilson

 

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Diary of a Billsticker – Mississippi Delta, USA

The Kid Was From Shake Rag

This was a nice, clean run lasting several days whilst driving through the Mississippi Delta in an old Plymouth Fury procured from a rent-a-junk in Nut Bush, Tennessee. As we got closer to the end, Clarksdale, Mississippi, things became very clear. They ended up being clear as a country creek (Truman Capote).

We (Reggie-John and I) always fly Delta Airlines. We caught a flight from Philadelphia in the morning and were in Memphis, Tennessee, by late afternoon. Americans don’t like to go too far from the house without adequate servings of pizza. I think the plane had extra supplies strapped to the roof. Luckily, a health care bill was going through Congress at the time. There was a layover in Charlotte, North Carolina and I saw many Americans checking that the pizza was still on that roof. Anxiety is a funny old thing. Americans are good people.

There has been quite a bit of debate on the news here lately about how the carry-on baggage situation on airlines has gotten out of hand. Then, a couple of prominent Americans have been offloaded from their flights because they were too fat for their seats. This doesn’t happen in Nigeria.

You can always tell when you cross over the Mason-Dixon Line and into the American South. The very air seems brighter and the energy is completely different. Things that are taken far too seriously in the North are ignored here. It is also as if the Southerners have already found something that people in the North are desperately looking for. We all hope they find it soon before they drive everyone nuts.

I guess the Ukraine is different from Chechnya as well. Then, I think in life, everyone wants to secede from something. Though it’ll sometimes bring a ton of misery on yourself if you try.

Reggie-John and I set up in Oxford, Mississippi as a base camp. This town is about seventy miles from Memphis. I’d dreamed for years of going to Oxford. The University of Mississippi (Ole Miss) is there. I’d often read about Square Books and how it was reputed to be one of the best bookstores in America (it is). The owner (Richard Howorth) was Mayor of Oxford for a while (maybe still is) and that’s got to be a good thing. I mean a bookstore owner as Mayor – I can dig it. It’s kind of like when Vaclav Havel was President of the Czech Republic. A poet as President – I can dig that too. Literature is incredibly important to any community.

I also knew that William Faulkner lived in Oxford and is buried there; but what attracted me most to Oxford were two particular writers, two of my personal favourites, Larry Brown and Barry Hannah. They are both dead now, both unhorsed due to heart attacks. Barry Hannah died only three weeks ago. In their writing, which was always full of intense energy, they were both bull goose loonies. And that’s high praise. To paraphrase Truman Capote again, they ‘walked the plank.’ They took real risks. Someone once described Barry Hannah’s writing as ‘accelerating incoherence’ – it’s that good.

Barry Hannah taught creative writing at Ole Miss and he was famous for other things apart from his writing. One of them being that he once drove a troublesome student home and put a gun to his head. He then told the student to behave himself in class.

Me and Reggie-John stayed at Chester’s Hillbilly Haven and ate breakfast at Big Bad Breakfast. That old Plymouth started every morning and we were carrying poem posters by five or six poets. However, we concentrated mainly on the two new poems by Tusiata Avia “Nafanua, the Samoan War Goddess, talks about going to Washington, DC” and Stephen Oliver’s “The Great Repression.” I never go far without Janet Frame’s “The End” poetry poster being in my kit. That’s what I call company.

Tusiata’s and Stephen’s poems are worded particularly strongly and perhaps they should be. Both are striking works of art and come alive on a wall. There is a beauty there. These are words carved out.

Setting out from Oxford each day, we covered the area around Highway 61 (yes, that Highway 61!) and included Indianola, Yazoo City, Pontotoc, Tupelo, Parchman (where the Mississippi State Penitentiary is headquartered) and then deep into Clarksdale.

The American South is an extraordinary place for music and literature. Clarksdale is among the most extraordinary places of all. The city’s inhabitants have had an immense influence on American culture. In fact, they have affected the world. Among the citizens have been Sam Cooke, Tennessee Williams, Muddy Waters, Son House, John Lee Hooker, Aretha Franklin’s grandfather, Ike Turner, and Jimbo Mathus. Morgan Freeman owns a blues club in Clarksdale. The city is about the size of Timaru. It is probably smaller.

A few short miles away is Tupelo, Mississippi. There was a kid here who loved his mother and who recorded his first song for her. When he was young, his daddy, Vernon, went to jail and they lost the house. He picked up a guitar for the first time at about ten years of age. By this time, he was already hanging around a black area called ‘Shake Rag.’ He was a pretty cool kid (from all accounts) and he listened to the blues and gospel songs and soon he learned to move. He also walked the plank by wearing clothing that he saw black people wearing. They have always known what “cool” was. In high school he wore brothel creepers and lime green socks. Now that was a risk in the early 1950s, but people could relate. And he could turn out a song like no one else.

You cannot listen to the type of music that grows in this area (blues/gospel/spiritual) and not be swayed. Not now, not then. Myself, I’d gone to Mississippi listening to Mitch Ryder and the Detroit Wheels and I came back listening to Blind Willie McTell. These things happen. You could call it spiritual.

When he was thirteen, Elvis Presley and his family lit out for Memphis and better luck. It changed the world.

We would be absolutely nowhere on this planet were it not for music’s (and poetry’s) ability to connect people. Music and literature transform us. The two make us better people.

So I always take it as the deepest privilege to be driving around America putting up poetry posters by some of NZ’s finest poets. I am always clearer headed for having done so.

Phantom has a new launch of poem posters in Auckland on April 28th. Included in this next round is a fine piece of work by Chris Knox. Also featured are Stephen Oliver, Tusiata Avia, Bill Manhire and others. The job has just begun.

We are always privileged and grateful.

 

Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – South Philly, USA

This was a nifty little run with my cobber Brian Howard from the Citypaper again. It used to be that street postering had to have as an element of what Jack London called ‘night-time as an essential condition.’ For many years now I have worked in New Zealand on bringing street postering into the daylight. Street postering is an extremely important form of communication for the arts. It is oftentimes a raw and extremely quick form of communication but usually manages to maintain a very ‘real’ and ‘authentic’ feeling at the same time. I am keen to keep it that way too. Cities need every last bit of that which is real that they can get.

This area of Philadelphia reminds me in some ways of the Sydenham area in Christchurch, but it is less tidy. There are the old brick warehouses which are few and far between in Christchurch now as manufacturing shifts further offshore and the shopping malls set in.

We were carrying poem posters by Janet Frame, Brian Turner and new ones by Stephen Oliver (“The Great Repression”) and Tusiata Avia (“Nafanua, the Samoan war goddess, talks about her friend in Philly”).

We have a new launch of poem posters coming up in Auckland, New Zealand at the end of April. Also we have small events in Seattle, Washington and Lambertville, New Jersey in late March and April.

Stephen Oliver’s fine poem “The Great Repression” is included in this next launch and we are test marketing it here in the USA. Next week I am away to Mississippi to poster and I shall have under my wing poems by Tusiata Avia and Stephen Oliver.

Stephen Oliver is writing about the disintegration of the family unit. He uses very strong words which I very much like. My own personal theory is that every time a city puts in a shopping mall it is doing great damage to its citizens. Don’t get me on to this subject because it splits in every direction, but I will say that marketing as a concept is severely overrated.

Some time ago I asked Tusiata Avia to write me a poem that fitted each individual American city I travelled to. And so she did. Tusiata is another extremely passionate writer. There is a line in this poem where the subject is the notion of ‘peace’. Tusiata says we need a sniffer machine now to find it. Ain’t that the truth? Amen. We are all extremely tired of warfare in its many formats.

This was a boomer of a poster run and as I went back home up I-95 to New Jersey, I listened to the ‘new’ Jimi Hendrix album. Even something that Seattle’s favourite son chose not to release during his lifetime, and something that does not really measure up to other Hendrix material, is still far better than most music released (and marketed) these days. That guy turned a Fender upside down. He did things completely different. That is to be cherished.
Keep the Faith,

 

Jim Wilson

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