Phantom Blog

Interview with Christchurch advertising mogul, Niven Boyle

The unforgivable sin, according to Niven Boyle.

Niven Boyle’s a media planning veteran whose agency The Media Dept happens to be based in Christchurch. He’s a fan of street posters, which is why we asked about his favourite campaigns, the future of the medium, and the thing no self-respecting designer should ever do on posters.

How did you come to be in the ad business, and why did you set up The Media Dept?

I fell into it really. After a background in airline sales and marketing and then being involved in setting up Sports Betting in New Zealand, I moved back to Christchurch and got a suiting job with a local agency. It didn’t take long for my boss to realise I was better suited to media because I was good with numbers and loved going out for long lunches. Those were the days…

I suppose it was just a natural progression to start my own company, which was over 10 years ago now.

What is it like being based in Christchurch? 

We’ve got a lot less fences and buildings than we used to have. There are fewer site options, and without much of a CBD there still isn’t the pedestrian traffic that other cities have. Owners of new buildings seem less keen on having posters, which makes things a bit trickier.

Whilst we run a lot of national campaigns, we do tend to become quite adept at making budgets stretch further as we’re used to working with budgets that have a lot less ‘0’s!

As far as planning and buying New Zealand-wide campaigns, we can do anything that agencies in other centres can.

What’s the place of street posters in the media landscape? 

Posters are great for delivering frequency and getting into areas not available to other media. As soon as you’ve hit the streets you’re immediately communicating to a lot of people. You can saturate a city or target a particular suburb, so the flexibility is ideal.

Name a street poster campaign that sticks in your mind. 

I still remember the old AMI Insurance campaign ‘Party at Kelly Browne’s’. While it ran across a number of other media, I first recall seeing street posters in odd places and wondering what the hell was going on. It could have been the embryo of social media – you decide you’re having a party and put posters up everywhere to make sure 10,000 gatecrashers turn up.

Niven Boyle The Media Dept christchurch poster advertising out of home south island dunedin

What’s your biggest bugbear with the way people use the medium?

Creative that uses size 7 font!

Seriously, I don’t understand why so much outdoor advertising looks like a transposed magazine ad. A simple, clear message and as few words as possible should be deemed mandatory. If that is ignored then the creator should be sent to Outdoor Design 101 for remedial lessons.

Could you share a story of a poster campaign that worked brilliantly?

I’ll always remember the very first campaign we did for ‘All Right?’ This is a Healthy Christchurch initiative set up through Canterbury District Health Board after the earthquakes. The timing and creative were perfect after what had happened to the city. It captured many of the emotions of the time and just totally resonated with people.

Any thoughts on the future of street posters, especially in today’s media landscape?

I think there will always be a place for real posters. Digital will become more prevalent as time goes on but there are still things only the printed word can do. For example, your printed street poster is up 24/7 for as long as you’ve booked the site, instead of being displayed on rotation for a fraction of that time.

For the foreseeable future I can’t see posters being usurped.

See what Niven Boyle is talking about- book your campaign today

Bay of Plenty Advertising Expert, Conal Hume

Robots, stolen poster frames, a naked man doing a handstand.

 

They’re just some of the things Conal Hume has worked on, replaced or encountered during his time with Phantom Billstickers.

Conal’s currently our Bay of Plenty Advertising expert for Tauranga and Rotorua. He first joined us in Wellington and has brought his energy, imagination and initiative to bear on every role he’s undertaken to date.

You started out obsessed by robots…

I moved to the Wellington, wanting to learn how to make robots. Not the kind that build cars but the kind you see in cartoons and movies. The fun, imaginary robots…but I wanted to find ways of making them real.

I started with a course at Massey but after one year I could see that was not going to teach me how to make the things I had seen on the TV and in movies, so I moved to Natcoll. One year later I had a Diploma in Animation and Digital Video – I made the best virtual Ninja Turtle model my tutor had seen – and had just started a Diploma in Digital Video Post Production.

So how did you end up at Phantom?

I had seen people putting up posters all over town and thought that could be a fun job. It’s essentially ‘copy and paste’ but physical, on buildings in the real world. Then I stumbled across an ad looking for a Billsticker and applied. I said I could start that weekend and boom, hired. Thanks, Ben.

I started with the Newtown run, part-time Saturday and Sunday. Then I went full-time and later began making mock-ups, building frames, modifying sites for campaigns, and even designing and installing new sites in unconventional places like gardens, windows and non-flat wall space.

It was a fun five or six years. Frankly I’m not sure how long it was – it was all a bit of a blur that I became obsessed about.

Eventually I decided to move back to the BoP, and fortunately Phantom were keen to start up a Bay of Plenty Advertising division with me in charge of operations. Yee ha, here we are!

Take us through a typical day on the job.

I get a list of what posters need to go up and I head out to put them up, then check up on them to make sure they’re in good condition.

Every now and again someone will try peel a cool poster off the frame but give up once they realise it’s pretty well stuck on. I’ll fix the damage and make it look nice again.

Is there a poster campaign that sticks out in your mind?

I really like the ones that are interactive. When I was in Wellington there was a campaign where we put up Jockey underwear on sites, and the public could nab ‘em. It was pretty funny seeing the look on their faces when they posed for photos.

Then there was the time free chocolate was put inside Phantom frames over Christmas. Hordes of people showed up wanting their chocolate fix.

Bay of Plenty Advertising poster printing advertising posters tauranga rotorua wellington auckland

What makes posters special compared to other advertising media?

The analogue nature of the street poster. People stop just to watch the new poster go up, especially if it’s windy. Some even want to help out. It’s really the best of Bay of Plenty Advertising.

It bugs me when they’re taken, but it’s actually nice when someone steals a frame. Sometimes they really want the poster but can’t peel it off, so they rip the frame off the wall and take it home. Over my time on the job I’ve seen a dozen or so Phantom frames in people’s backyards or lounges. Loving homes, I hope.

What’s the most unusual thing you’ve had to deal with as the Bay of Plenty Advertising Specialist?

Once I rocked up to a site and the site wasn’t there. It was pretty big, so where did it go? And one of the guys I worked with once saw a naked man doing a handstand in the early hours of the morning.

It can be pretty raw at times. One time in Christchurch, after hours on an install blitz, I went for a walk along the coast. I stumbled upon a group of guys that had an injured comrade with a severely broken ankle and head wound after falling off a cliff. I ended up hugging him for about an hour to provide body warmth until the helicopter came to pick him up.

What are your interests away from work?

I like designing things, and finding out what works and what doesn’t. I bought a 3D printer and have been experimenting with 3D structures that work the same as their virtual counterparts. It’s one step closer to building a fun robot. What a time to be alive!

Writing programmes that make computers do things is another interest. I have recently been trying to make those ‘magic eye’ images that have a 3D image trapped in a 2D plane. I reckon it could work really well with Phantom’s Weather-tight pasting technique.

I also like to go exploring new places like hiking tracks or go for a kayak somewhere. It’s a great way to find new things and just chill out and be one with nature.

To find out how you can make the most of our Bay of Plenty Advertising, please contact us

Arts Advertising Ambassador, Aussie Dave.

How many media companies have an Arts Advertising Specialist? We do. David Grant Bruhn, known around the office as Aussie Dave, is our one-man music, arts and entertainment rep. If your band is looking to publicise its first gig or you have a show-stopping cultural event to promote around town, Aussie Dave is the guy you’ll be dealing with.

What’s your background, Dave?

I’m from Melbourne and I’ve been playing in bands since I was 14. In 2014 I came over to New Zealand to have a look around and met my partner. I decided to stay and now we have an 11-month old boy. You could say I’ve gone local.

How did that lead you to Phantom Billstickers?

I was looking for day work instead of working in hospitality. The Phantom job came up so I applied online and they put me on a paste run. It’s how everyone starts at Phantom, because you get to know the fundamentals of the business, like where the best sites are, and why good strong design works best for arts advertising.

It also teaches you that the posters have to go up, rain or shine. Nothing else matters. You can have the best sites, a fantastic schedule and great creative, but if the install crew doesn’t get the posters up at 6am on Sunday morning, you don’t have a campaign.

 

Arts Advertising specialist Dave Bruhn street posters Auckland Wellington Christchurch

Arts Advertising Specialist Dave Bruhn with Presentation manager Rachel Rowlands.

Anything else you learned on the streets?

K Road at dawn gets pretty interesting. All sorts of characters come up and chat to you. Something about putting posters on walls seems to bring out friendly interactions from people on the street.

I’ve been invited along to a student budgeting seminar – someone thought I looked like a poor student who needed some help. And the Scientologists are always chatty…

What do street posters accomplish, that other media can’t?

A poster is a 24-hour message. It’s always on, but then the posters change every week, so it’s a constant parade of images. People seem to like that – it makes the street a more interesting place. It’s that phrase ‘Flora for the concrete jungle,’ which is one of our mantras at Phantom.

Everyone’s so impatient these days. People can’t wait 15 seconds for a YouTube pre-roll commercial to finish, but a street poster doesn’t seem to bother them, especially when there’s a network of permitted sites and high-quality installations that add value to your poster message.

There’s nothing like it in Melbourne. Where I come from, there are only fly posters and scrappy guerrilla campaigns with no accountability.

Putting up street posters is a business. So why does Phantom have someone like you, who focuses on bands, festivals and arts events?

We love our commercial clients and work hard to deliver great campaigns for them. At the same time, we’re always looking to give something back to the community.

Cool posters for up-and-coming bands, creative events and arts Advertising make the streets more attractive. They say there’s something happening in your town that’s going to be fun, and going make life more interesting.

Plus, there’s the buzz you get from making a difference. I can be talking to an artist on Monday and see their poster up that weekend. You can see the outcome of your work on walls around town.

There’s nothing like it.

Make us accountable for your marketing spend

A is for Accountability.

 

Street posters have always been a newsworthy, high-impact medium for street-level marketing. This perhaps came at the expense of accountability. How could you tell if your hard-hitting campaign had actually appeared when the schedule said it should? How could you be sure your marketing investment had been delivered?

Relax. The hitherto fly-by-night business of sticking up street posters around New Zealand is now one of the world’s most accountable media channels. Phantom Billstickers has been working hard (and investing significant sums) to make sure your posters go up when and where your marketing media schedule says they should.

 

marketing accountability marketing new zealand companies

 

The key is Phantom’s unique ‘Pasted’ app.

Here’s how it works. Every time one of your posters is installed into a Phantom Frame we snap a photo and the app kicks in; geo-tagging and naming the photo by site code and address in real time as it uploads to your live campaign map.
This live link is emailed to you and with a simple click you have your POPs and a live map of your campaign presence. Quick, smart, quick smart.

That’s what we mean by accountability. Seeing is believing.

accountability in marketing new zealand poster printing poster marketing

*We prefer longer deadlines of course. But if you absolutely, positively have to get the word out on the streets and short notice, we’ll work live maniacs to make it happen. 

 

Phantom Billstickers Launches New Poster Columns

New Poster Columns.

 

10 new Poster Columns have appeared on Wellington’s golden mile.

Commissioned and installed by Phantom Billstickers, and designed by award-winning Melbourne studio Diadem, these brand new poster-bearing plinths bring a touch of European style to the streets of the capital. We have taken inspiration from the classic poster columns of Europe to upgrade the street furniture of the capital and ensure our clients’ posters are displayed with the maximum of panache.

Each Phantom Column is 3.5 metres tall, enabling the delivery of life-size images. There’s an LED light illuminating the top, so all eyes will be drawn towards your creative. Half of the columns are backlit too (and we have plans to ensure all our columns will soon enjoy the advantages of day/night glow).

If you’re lucky enough to be based in central Wellington, this will probably be old news. Our columns are currently viewed by over 3,000 pairs of eyeballs every hour. And if you’re not a Wellingtonian, you won’t have to wait too long. Phantom Billstickers will be installing these state-of-the-art poster sites in a range of metropolitan locations around Aotearoa in the near future.

 

street posters advertising campaign new zealand event advertising auckland wellington christchurch and hamilton poster columns Nationwide network of poster columns

Fringe Festival on brand new Cuba Mall Poster Column

 

The past inspires the future.

 

At Phantom Billstickers we’ve long been fans of classic European posters. Historically, these street-level Poster Columns found their natural home in the Parisian ‘Morris Columns’ and the ‘Litfass columns’ of Berlin.

Now it’s Wellington’s turn. Check out our Poster Columns on Lambton Quay, Willis Street, Cuba Mall and Courtenay Street.

Phantom Billstickers outdoor furniture network poster columns poster column network posters for art posters for events poster printing